Marcel Duchamp and a prediction about art and craft

We are approaching a very important centenary in the art world, the creation of Marcel Duchamp’s “fountain”, arguably the most important work of art of the 20th century. Was he taking the piss? and why should craftspeople have any interest in it?

The point of fountain was that Duchamp was arguing that aesthetics and skill were not what made art, it was the artists idea that mattered.

Under the guise of an assumed name R Mutt, Duchamp submitted a porcelain urinal as an entry for an open exhibition in New York in 1917. With this work Duchamp metaphorically urinated on the bourgeois art institution and its adoration of what he referred to disparagingly as ‘retinal art’. “Fountain” was “misplaced” for the duration of the exhibition and lost soon afterward yet years later it achieved seminal status. It was not the worlds first ready-made, Duchamp showed “bicycle wheel” in 1913 but it is fountain that became iconic.

So what is the relevance today? Well trace Duchamps ideas forward 100 years and we see a century of art where skill and aesthetics were not seen as important and where ready-mades and installation art were where it was at. That century is coming to an end and personally I feel that the current art world is as self obsessed and out of touch as the one which Duchamp so successfully took the piss out of 100 years ago. Frankly there is only so much navel gazing and exposing to public view the least pleasant aspects of your past that the public want to see and after a while does it have any relevance or serious message?

So who will be the new Duchamp? Who will challenge the current ideas of where artistic merit lies? And where will that merit be found? Personally I fancy we will see a return to or perhaps some new form of appreciation of aesthetics and skill. I think we will again appreciate an artist who can create something of great beauty more than one who presents ready-mades or installations with some art speak justification. Why will this happen? Well in part what we have always admired and valued throughout history has been rarity and today there are not many folk that can grind pigments, mix oils and paint a decent picture, nor carve a stone for a cathedral window, nor make a basket, nor forge a gate hinge, yet conceptual art is taught to tens of thousands of university graduates every year.

Satchi et al have huge vested interest in maintaining the artistic status quo and will rubbish any suggestion that these things have as much merit as Emin’s latest but I genuinely feel they have more to say of importance to today’s world than most conceptual art. They comment on how we make the stuff of everyday life, on working conditions and waste and sustainability. It will be a few years coming but my prediction is that we are approaching the time when someone who makes humble functional craftwork will be valued as much as someone who makes art installations. And the funny thing is that I reckon if Duchamp was around today he would be rebelling against today’s art institution as much as he did in 1917.

4 Responses to Marcel Duchamp and a prediction about art and craft

  1. Dawn Turner July 6, 2011 at 8:06 pm #

    Great post Robin, I think you're so right on many points

  2. Tico Vogt July 7, 2011 at 2:10 am #

    Refreshing commentary. I'm in full agreement.

  3. miss rika July 14, 2011 at 4:26 pm #

    And a hearty "amen!"

  4. Robbert Ruigrok February 7, 2016 at 8:01 am #

    Well Put, and in full agreement. To your prediction ‘that we are approaching the time when someone who makes humble functional craftwork will be valued as much as someone who makes art installations’, I would like to add that the funny thing is that if you apply Duchamps’ ready-made art philosophy, then the ‘humble functional craftwork’ itself can be considered as an objet trouvé, and It can either be placed in an art gallery to elevate it to the levels of ‘art’, or the home where the craftwork finds it place (in a way the home can reclaim the artwork away from the gallery, so it’s ‘humble functionality’ can manifest in daily life where it can also be admired as an object ) becomes itself the new ready-made art gallery, that contains the ready-made craftwork, which can elevate our whole life to being the ready-made ‘stage’ where the ‘play’ of the contemporary art world takes place, is conceived, designed, executed (made), admired, sold, bought, loved, shared, given, lived. Life becomes the ‘Gesamstkunstwerk-objet trouvé’, and we can finally start enjoying a truly Artistic Life – why not with capital A and L, a fully self-realised life. If that could be a prediction that would be great as we would live in Utopia. So the timeline of this prediction is to be kept open as it is also fitting in an ideal destiny for humanity.